Taking poetic license with geology, Laura Moriarty compares processes of the studio with processes of the earth. The forms, colors, textures and patterns of her sculptural paintings result from forces similar to those that shape and reshape the earth: heating and cooling, erosion, subduction, friction, enfolding, weathering and slippage. Layers of color form the strata of a methodology in which the immediacy of the hand can translate a sense of deep time. Working and reworking molten, richly pigmented beeswax, Moriarty builds each painting/object through a slow, simple yet strenuous physical engagement, which often becomes a metaphor for the ephemerality of life and civilization.
- Clay Ornaments and Chocolate
- Bill Staines at SLCA